​

In my incisive series, True Aesthetics of the World, I unveil four intensive projects spanning 31 pieces—Punctuation, CommaFuck, Schrodinger's Cat, and Nature's Reboot. Each piece is a calculated jab at the illusion of an aesthetically pleasing world, a world curated by the elite while leaving the majority to fend for themselves. By compounding the world with technology, I strip away the veneer of beauty to reveal the grotesque reality beneath—the true aesthetics of the world.

 

​

Punctuation 

 

In Punctuation, the world is seen through a dog’s unflinching eyes which is used as a filter, compounding the world with self-proclaimed advancement and technology to see the true aesthetics of the world. 

 

Upon compounding, poverty still sprawls like a draft without margins—jagged, raw, and spilling over—but technology doesn’t do anything to better it; it only highlights the errors and ugliness. Filters, whether on social media, smooth the chaos; But when placed on reality it looks hideous. It shows how humans are reduced to mere punctuation (data, bullet points, hashtags, and engagement metrics) by the ones in power. And proves that humans, for all their digital polish, remain startlingly primal—chasing validation through money, and power like dogs chasing their own tails. Progress doesn’t fix punctuation; it strikes through the sentence entirely, leaving only the rich happy. The artwork barks louder than it bytes, challenging us to ask whether "progress" is real, or just a gimmick to hide the ugly.

 

The images conclude that humans—digital collars cinched tight—act less evolved than the strays they pity, and common sense is  as rare as a comma in a breathless rant.